Soulsavers will release their new single ‘Longest Day’ through V2 Records on 2nd April. Taken from their forthcoming album ‘The Light The Dead See’ (out 21st May), the single will be available as a digital download. A limited edition etched 7” version of the single, of which only 300 have been pressed, will also be released on Record Store Day (20th April). ‘The Light The Dead Sea’ is the follow-up to 2009’s critically acclaimed album ‘Broken’. Recorded at various locations and mastered at Abbey Road, the record will be available on CD, LP and as a download.
"It was a complete...
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Rolling Stone have posted up a new video interview with Dave Gahan and Rich Machin discussing their work together on the forthcoming Soulsavers record entitled 'The Light the Dead See' out on the 21st of May. The interview was by Patrick Flanary while the video was shot by Eric Helton and Matthew Murphy and you can watch it after the jump!
Source: Rolling Stone
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The Quietus has a new piece up with Dave Gahan where he gives them some insight on working with Soulsavers as well as some hints about the forthcoming Depeche Mode record. Dave describes his work with Soulsavers, "I know some of the songs will come across as quite dark and moody, but it was the most uplifting experience I've ever had making a record." Regarding Depeche Mode, he says that they are "excited about making a record together." Exciting times ahead DM fans! Read the whole article after the jump!
Dave Gahan Discusses Soulsavers & New DM
By Sam Spokony , March 1st,...
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Soulsavers release their new album ‘The Light The Dead See’ through Cooperative Music/V2 Records on 21st May. Featuring vocals and lyrics by Dave Gahan, the record is the follow-up to 2009’s critically acclaimed album ‘Broken’. Recorded at various locations and mastered at Abbey Road, the record will be available on CD, LP and as a download.
“There was no real script,” says the laconic Rich Machin of the extraordinary fourth album ‘The Light The Dead See’, a set of songs of majesty and momentum. “It just rolled and rolled; it was effortless.” Yet the writing was on the wall...
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