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Blender’s in-the-studio feature!

During their last session in Santa Barbara, Martin Gore took time out to chat to Blender – the interview has now made it’s way to the magazine’s website. Gore talks about the theme of the new record, his new eBay addiction and Hillary Duff. Read on for the full thing…

In the Studio: Depeche Mode

Depeche Mode splurge on new toys to secure a spot on your sexy-time mix tape.

For nearly 30 years, Depeche Mode’s dark synth pop has blurred the line between passion and perversion. Who hasn’t gotten his freak on to “Master and Servant” or “I Feel You”? Even tween queen Hilary Duff recently bit the monster hook in DM’s “Personal Jesus” to declare her graduation into womanhood on “Reach Out.”

“I gave permission,” says DM’s main songwriter and multi-instrumentalist Martin Gore. “It was pretty harmless.” But how will he, singer Dave Gahan and keyboardist Andrew Fletcher supply a new generation with sample-ready hookup hits? By sticking to what they know. “We fear change,” Gore says while insisting that their 12th studio record ”will be just as relevant to fans as Violator,” the multi-platinum 1990 album that sparked a sellout stadium tour.

“The overall album fits in with the line of the last few records—it’s kind of an amalgamation,” Gore says, attributing the mishmash in part to decades’ worth of toys the Mode men have at their disposal. “I did the demos on a laptop. It’s really quick and frees you up so you don’t have to run around plugging things in.” He had 18 songs (Gahan penned four) by the time they got to the studio, where he tapped into his own and producer Ben Hillier’s analog-synth collections. And Gore reckons he has bought “virtually every drum machine ever built” for use on the new album, which features everything from live and sampled drum sounds to booming 808 bass.

Gore played some guitar, too, and he and Gahan spent lots of time on reverb-coated vocal harmonies. Lyricswise, “there wasn’t a specific theme, but there is a spiritual aura to them—I tend to say that a lot when we put records out, but it’s more so this time,” he admits. “We’re still writing the same song with a different twist to it each time, hoping no one will notice.”

ALL ABOUT OUR ALBUM:
Producer Ben Hillier
Studio Santa Barbara Sound Design
Last album Playing the Angel
This album TBA

Source: Blender, written by Mikael Wood, photo by Jessica Dimmock

Thanks to forum member PayThePrice for the tip

4 Comments

  • depeche jr.

    1

    "We fear change..." says Martin. That's not at all why I "fell in love" with Depeche. I loved them because they used to change with every album, and there was a certain someone that used to get them to change for every album.

  • jlgero

    2

    I actually suspected that Martin simply gave permission for the samples in the Hillary Duff song. I think part of believing in artistic freedom is letting other people use what you've made.

  • coldview

    3

    Yeah, I was quite sure he gave permission too.

  • John

    4

    What's with the sudden interest in tweens? Martin with "Personal Jesus" and Vince Clarke with "Let's Get Together" and the hook from "Just Can't Get Enough".